50/50: Fabien Verschaere, Whitestone Gallery 

Fabien
Fabien Verschaere, The trip of Gumiho, 2016
Fabien
Fabien Verschaere, Croco Forever, 2025
Fabien Verschaere, The trip of Gumiho, 2016
Fabien Verschaere, Croco Forever, 2025
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Relocated to a new space, Whitestone Gallery celebrates the 50th birthday of French artist Fabien Verschaere with 50/50. Verschaere infuses humour into complex narratives, creating surreal dreamscapes of mutating beings such as fairies and imps. He plays with a wide range of media, including drawings and large-scale murals, and his most recent creations are acrylic and watercolour on canvas. 50/50 encompasses a comprehensive selection of works from childhood creations to pivotal pieces displayed in major international exhibitions. 

Where: Wong Chuk Hang, 54 Wong Chuk Hang Rd,  M Place, 7/F
When: September 27-November 15, 2025

Min-Jia: World of Interiors, PODIUM 

Installation
Installation view of ‘Min-Jia: World of Interiors’ at PODIUM, Hong Kong, 20 September - 15 November 2025
Photo: Felix SC Wong Courtesy of PODIUM, Hong Kong
Min-Jia's
MIN-JIA, Mother I, 2024 - 2025
© Min-Jia (2025) Courtesy of the artist and PODIUM, Hong Kong.
Installation view of ‘Min-Jia: World of Interiors’ at PODIUM, Hong Kong, 20 September - 15 November 2025
Photo: Felix SC Wong Courtesy of PODIUM, Hong Kong
MIN-JIA, Mother I, 2024 - 2025
© Min-Jia (2025) Courtesy of the artist and PODIUM, Hong Kong.
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Urumqi-born, Berlin-based artist Min-Jia showcases rich shadow puppetry writhing with life at her debut exhibition in her career. Min-Jia completed their Shaanxi Huaxian shadow puppetry apprenticeship under Master Wang Tianwen in Xi’an, China. Armed with these lessons, Min-Jia turns vellum-chemically treated oxhide into pliable material—puncturing, cutting, and assembling them into imposing puppets that bend and change in response to head and humidity. Their references are rich and wide, ranging from Chinese folk art to Boys’ Love and Girls’ Love anime, as well as orientalist kitsch and Art Nouveau works by queer and women artists. 

Where: Unit 9D, E. Tat Factory Building, 4 Heung Yip Rd, Wong Chuk Hang
When: September 20-November 15, 2025

In drawing, in remembrance, Para Site

Installation
Installation view of Shahana Rajani: ‘In drawing, in remembrance’. Para Site, Hong Kong, 2025.
Photo: Felix SC Wong
Installation
Installation view of Shahana Rajani: ‘In drawing, in remembrance’. Para Site, Hong Kong, 2025.
Photo: Felix SC Wong
Still,
Still, ‘Four Acts of Recovery’ (2025), single-channel video, 17’36”.
Courtesy of the artist.
Installation view of Shahana Rajani: ‘In drawing, in remembrance’. Para Site, Hong Kong, 2025.
Photo: Felix SC Wong
Installation view of Shahana Rajani: ‘In drawing, in remembrance’. Para Site, Hong Kong, 2025.
Photo: Felix SC Wong
Still, ‘Four Acts of Recovery’ (2025), single-channel video, 17’36”.
Courtesy of the artist.
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Shahana Rajani’s solo exhibition meditates on how communities in coastal Pakistan use drawing as a practice to confront displacement and infrastructural violence. Four Acts of Recovery (2025) is a documentary that follows a displaced fisher family as they attempt to reconnect to their disappearing homeland. Meanwhile, Lines That World a River (2025) is a video essay that gathers activists and elders’ critique of the construction of the Malir Expressway in Karachi.

Where: 22/F, Wing Wah Industrial Building, 677 King’s Rd, Quarry Bay
When: October 11, 2025- February 1, 2026 

Thresholds, White Cube 

Installation
Installation view: Group Exhibition, Thresholds, White Cube, Hong Kong
Photo: Courtesy White Cube
Installation
Installation view: Group Exhibition, Thresholds, White Cube, Hong Kong
Photo: Courtesy White Cube
Installation view: Group Exhibition, Thresholds, White Cube, Hong Kong
Photo: Courtesy White Cube
Installation view: Group Exhibition, Thresholds, White Cube, Hong Kong
Photo: Courtesy White Cube
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Thresholds forms a chorus of unique experiences of nine contemporary artists from or connected to Indonesia, whose journeys are shaped by the crossing of a ‘threshold’. A highlight includes artist Arahmaiani’s I love you (2009), a soft-sculpture installation showing Jawi (Arab Pegon) script slipping into form, reflecting adaptability and cultural plurality. Christine Ay Tjoe turns inwards with her practice, exploring the limits of her body and soul with abstract paintings. Meanwhile, Jennifer Tee draws on Sumatran ceremonial textiles using dried tulip petails to build imagery of seas and ships. 

Where: 50 Connaught Rd Central, Central
When: October 31, 2025-January 10, 2026

The Darkest Hour at 3am, Current Plans

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Slowly, Curator Alberta Leung’s personal research into her decade-long insomnia evolved into a curatorial project that matured as The Darkest Hour at 3am. Developed with spatial designer Angela Pang, the exhibition space comprises 3 rooms that trace the journey from the “detrimental effects of techno-capitalism on sleep toward the restorative potential of mindful relaxation and sleep hygiene”. The immersive multi-sensory exhibition recreates the psychological landscape of insomnia, posing the question of whether rest can be reclaimed. A series of live performances, screenings, and workshops is scheduled throughout November. 

Where: 3F, Remex Centre, 12 Heung Yip Rd, Wong Chuk Hang
When: November 1-December 20, 2025

Marc Chagall: Dreaming in Colour, De Sarthe 

Marc
Marc Chagall, Grand profil et nu rose, 1977

Marc Chagall, Grand profil et nu rose, 1977

Legendary modernist Marc Chagall was a master of colour, creating a unique visual language that blends memory, folklore, and fantasy into a dreamlike fantasy. De Sarthe’s exhibition brings together a selection of works from 1950 to 1984, including paintings and original works on paper. “This exhibition focuses on the works where his imagination was most immediate and unbridled,” said Pascal de Sarthe, founder of DE SARTHE.

Where: 2/F, Block A, Vita Tower, 29 Wong Chuk Hang Rd, Wong Chuk Hang
When: November 6-December 13, 2025

Somewhere better than this place / Nowhere better than this place, David Zwirner 

Felix
Felix Gonzalez-Torres, "Untitled" (Couple), 1993 © Estate of Felix Gonzalez-Torres/courtesy Felix Gonzalez-Torres Foundation
Photo: Image courtesy Andrea Rosen Gallery, New York and David Zwirner

Felix Gonzalez-Torres, "Untitled" (Couple), 1993 © Estate of Felix Gonzalez-Torres/courtesy Felix Gonzalez-Torres Foundation

Photo: Image courtesy Andrea Rosen Gallery, New York and David Zwirner

David Zwirner presents key bodies of work by one of the most significant artists who emerged from New York in the late 1980s to early 1990s. Felix Gonzalez-Torres provoked questions about identity, mortality, and acceptance through a reduced formal vocabulary. With simple everyday materials, he created evocative conceptual art. Gonzalez-Torres’ art will soon trickle into the urban landscape of Hong Kong, negotiating relationships between private and public space, and exploring the ideas of belonging and estrangement, as well as the fixed and the fleeting. 

Where: 5–6/F, H Queen’s, 80 Queen’s Road Central, Central, Hong Kong
When: November 19, 2025–February 14, 2026

Gulnur Mukazhanova: Dowry of the Soul, CHAT 

Gulnur
Gulnur Mukazhanova
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Gulnur Mukazhanova, False Hope or Moment of the Present, 2018
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Exhibition
Exhibition view: Gulnur Mukazhanova: Dowry of the Soul, CHAT (Centre for Heritage, Arts and Textile), Hong Kong, 2025
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Exhibition
Exhibition view: Gulnur Mukazhanova: Dowry of the Soul, CHAT (Centre for Heritage, Arts and Textile), Hong Kong, 2025
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Gulnur Mukazhanova
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Gulnur Mukazhanova, False Hope or Moment of the Present, 2018
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Exhibition view: Gulnur Mukazhanova: Dowry of the Soul, CHAT (Centre for Heritage, Arts and Textile), Hong Kong, 2025
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
Exhibition view: Gulnur Mukazhanova: Dowry of the Soul, CHAT (Centre for Heritage, Arts and Textile), Hong Kong, 2025
Photo: Courtesy of CHAT (Centre for Heritage, Arts and Textile), Hong Kong
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Stepping through the red arched form at the entrance of the exhibition feels like stepping into another realm—one where deep-seated memories, connections to the homeland, and paradoxical emotions of hollowness and hope all rise to the surface. In Kazakh artist Gulnur Mukazhanova’s largest solo exhibition to date, she examines the tension between globalisation and traditional values from a female perspective. In Central Asian culture, tuskyiz are elaborately hand-embroidered wall hangings that serve as ‘visual prayers’ to commemorate the wedding of a son or daughter. Mukazhanova replaces the tuskyiz’s traditional ornamentation with minimalist palettes and compositions, reflecting the emptiness she feels rather than joy. Until November 30, 2025, her large-scale installation False Hope or Moment of the Present (2018-2025) will be open for public viewing at The Hall of The Mills— fragments of traditional Kazakh textiles and locally sourced fabrics held together and suspended in mid-air. In addition, over one hundred exquisitely crafted and deeply moving works are exhibited until March 2026. 

Where: 2/F, The Mills, 45 Pak Tin Par St, Tsuen Wan
When: Until March 1, 2026

Ancient Egypt Unveiled: Treasures from Egyptian Museums, Hong Kong Palace Museum 

Bastet
Bastet holding sistrum
Colossal
Colossal statue of Tutankhamun (usurped by Ay and Horemheb)
Bastet holding sistrum
Colossal statue of Tutankhamun (usurped by Ay and Horemheb)
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Jointly organised by the Hong Kong Palace Museum and the Supreme Court of Antiquities of Egypt, Ancient Egypt Unveiled features 250 works from seven major Egyptian museums and the latest archaeological finds from Saqqara. The exhibition is organised into four thematic sections, spanning nearly 5,000 years of history. This spectacular array includes over 60 statues of pharaohs and deities, seven mummy coffins, and eight animal mummies. Among the highlights is a colossal statue of Tutankhamun, one from a pair that once stood in the mortuary temple of the last pharaoh of the 18th Dynasty of Egypt, until they were excavated in 1930-31. An immersive display also recreates the treasure-clad tomb, giving visitors a taste of an excavator’s perspective.

Where: Gallery 9, Hong Kong Palace Museum, 8 Museum Drive West Kowloon, Tsim Sha Tsui
When: Until August 31, 2026