在80年代,Cher放棄了她那蓬亂的烏鴉髮型,換成了一個光滑貼服的頭髮,突出了她鮮豔的紫羅蘭色的眼影、紫紅色胭脂和耀眼的飛翼耳飾,而在90年代,Iman用深紅寶石色的嘴唇和她的焦糖色的頭髮編織成一個高聳的辮子,放了一個閃亮的胸針於頭頂,打破了她向來鍾情的極簡主義。 2004年,Amber Valletta在《Dangerous Liaisons: Fashion and Furniture in the 18th Century》主題中以Marie Antoinette為靈感,換上金色髮型和玫瑰色的胭脂。

 

2013年的《Punk: Chaos to Couture》是一個需要叛逆的主題,Miley Cyrus把她的白金髮尖梳成尖尖的電擊效果,January Jones則漂白了她的眉毛,以點綴她由Siouxsie Sioux啟發的圖形眼妝。當然,對於Rihanna來說,沒有任何細節是微不足道的,她在2015年的《China: Through the Looking Glass》紅地毯上大放異彩,穿著中國設計師郭培設計的黃色長袍,在她深紅色的髮髻上戴著一個鍍金的水晶花頭飾,完勝了2015年的紅地毯。同時以展望未來為題的2016年《Manus x Machina: Fashion in an Age of Technology》主題,Taylor Swift 揭開了白色染髮的序幕,而Ciara則選擇了閃亮的銀色色調,以獲得金屬般的光澤。

 

雖然每年都需要有自己的特殊風格,但2020年的《Camp: Notes on Fashion》在戲劇性方面都有所提升。從Zendaya向聖女貞德致敬的紅髮,到Lily Collins梳著一個花飾髮髻,向與貓王婚禮的Priscilla Presley致敬,可見玩裝扮遊戲幾乎是Met Gala的名稱。

最後,為了紀念去年的主題,”在美國。為了紀念去年的主題《In America: A Lexicon of Fashion》,Billie Eilish推出了一個新的瑪麗蓮夢露風格的造型,配上柔軟白金色的波波頭,而Irina Shayk和Jasmine Tookes都放棄了她們貝殼般的長度,換上了前衛的精靈髮型,發揮了她們雕塑般的特徵。在今年的活動之前,我們來回顧一下Met Gala的頂級美容改造。

Cher

“Costumes of Royal India,” 1985

“Costumes of Royal India,” 1985

Iman

“Christian Dior” exhibition, 1996

“Christian Dior” exhibition, 1996

Amber Valetta

“Dangerous Liaisons: Fashion and Furniture in the 18th Century,” 2004

“Dangerous Liaisons: Fashion and Furniture in the 18th Century,” 2004

Miley Cyrus

“Punk: Chaos to Couture,” 2013

“Punk: Chaos to Couture,” 2013

January Jones

“Punk: Chaos to Couture,” 2013

“Punk: Chaos to Couture,” 2013

Rihanna

“China: Through the Looking Glass,” 2015

“China: Through the Looking Glass,” 2015

Taylor Swift

“Manus x Machina: Fashion in an Age of Technology,” 2016

“Manus x Machina: Fashion in an Age of Technology,” 2016

Katy Perry

“Manus x Machina: Fashion in an Age of Technology,” 2016

“Manus x Machina: Fashion in an Age of Technology,” 2016

Ciara

“Manus x Machina: Fashion in an Age of Technology,” 2016

“Manus x Machina: Fashion in an Age of Technology,” 2016

Cara Delevingne

“Rei Kawakubo/Comme des Garçons: Art of the In-Between," 2017

“Rei Kawakubo/Comme des Garçons: Art of the In-Between," 2017

Dree Hemingway

“Rei Kawakubo/Comme des Garçons: Art of the In-Between," 2017

“Rei Kawakubo/Comme des Garçons: Art of the In-Between," 2017

Zendaya

“Heavenly Bodies: Fashion and the Catholic Imagination,” 2018

“Heavenly Bodies: Fashion and the Catholic Imagination,” 2018

Lily Collins

“Camp: Notes on Fashion,” 2019

“Camp: Notes on Fashion,” 2019

Lupita Nyong’o

“Camp: Notes on Fashion,” 2019

“Camp: Notes on Fashion,” 2019

Irina Shayk

“In America: A Lexicon of Fashion,” 2021

“In America: A Lexicon of Fashion,” 2021

Gigi Hadid

“In America: A Lexicon of Fashion,” 2021

“In America: A Lexicon of Fashion,” 2021

Amandla Stenberg

“In America: A Lexicon of Fashion,” 2021

“In America: A Lexicon of Fashion,” 2021

Billie Eilish

“In America: A Lexicon of Fashion,” 2021

“In America: A Lexicon of Fashion,” 2021

Jasmine Tookes

“In America: A Lexicon of Fashion,” 2021

“In America: A Lexicon of Fashion,” 2021

原文刊登於《VOGUE UK