A strawberry MOLLY watch, MOLLY kisslock coin purses, collectible holographic MOLLY character cards, a gallery of MOLLY portrait paintings in vivid acrylics, and endless rows of MOLLY figurines both big and small. For fans of the signature Pop Mart character, the MOLLY 20th Anniversary Exhibition at West Kowloon felt like a dream come true—and it was. Not only because it served as the ultimate MOLLY shrine for devoted collectors, but because it showcased the long, inspiring journey of an artist who persevered throughout the years. 

Hong Kong artist and art toy designer Kenny Wong first brought MOLLY to life in 2006, ten years before she debuted as Pop Mart’s first major character in a blind-box series themed after the Chinese zodiac. It was a sunny autumn afternoon and Wong was participating in a charity event at Victoria Peak, raising funds by illustrating portraits of children for HK$100 a pop. Among all the innocent pouting faces he encountered, one stood out. She had short golden waves, lake-green eyes, and a charming sense of focus as she busied herself with her own doodle. When Wong asked for her name, she told him it was “Molly.” This encounter inspired Wong’s own MOLLY character: a young, budding painter with a heart after his own and a future brighter than even Wong could fathom.

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A 6-metre SPACE MOLLY sculpture stands tall against the city skyline at the East Lawn of the West Kowloon District.
Photo: Courtesy of Pop Mart Hong Kong
Titled "Hi, MOLLY", the initial zone offers a glimpse into the earliest years of the beloved character from 2006-2009.
Photo: Courtesy of Pop Mart Hong Kong
The second zone of "The Little Galaxy—MOLLY 20th Anniversary Exhibition" replicates Kenny Wong's personal art studio and workspace.
Photo: Courtesy of Pop Mart Hong Kong
Zone three displays half a decade of MOLLY figurines released from 2010 to 2015.
Photo: Courtesy of Pop Mart Hong Kong
"The Little Galaxy" zone stages a gallery exhibition of Kenny Wong's MOLLY paintings over the years.
Photo: Courtesy of Pop Mart Hong Kong
"A Wondrous Adventure" zone is dedicated to the fan-favourite Space MOLLY.
Photo: Courtesy of Pop Mart Hong Kong
The
The MOLLY exhibition culminates in a display of life-sized Angry MOLLY sculptures.
Photo: Courtesy of Pop Mart Hong Kong
A 6-metre SPACE MOLLY sculpture stands tall against the city skyline at the East Lawn of the West Kowloon District.
Photo: Courtesy of Pop Mart Hong Kong
Titled "Hi, MOLLY", the initial zone offers a glimpse into the earliest years of the beloved character from 2006-2009.
Photo: Courtesy of Pop Mart Hong Kong
The second zone of "The Little Galaxy—MOLLY 20th Anniversary Exhibition" replicates Kenny Wong's personal art studio and workspace.
Photo: Courtesy of Pop Mart Hong Kong
Zone three displays half a decade of MOLLY figurines released from 2010 to 2015.
Photo: Courtesy of Pop Mart Hong Kong
"The Little Galaxy" zone stages a gallery exhibition of Kenny Wong's MOLLY paintings over the years.
Photo: Courtesy of Pop Mart Hong Kong
"A Wondrous Adventure" zone is dedicated to the fan-favourite Space MOLLY.
Photo: Courtesy of Pop Mart Hong Kong
The MOLLY exhibition culminates in a display of life-sized Angry MOLLY sculptures.
Photo: Courtesy of Pop Mart Hong Kong
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In light of the milestone exhibition that chronicles MOLLY’s 20-year evolution, and the citywide MOLLY tribute that is now taking place across various Hong Kong landmarks, I ask Wong how he truly feels about the success. “First of all, I’m really grateful. Even today, I don’t feel that anything should be taken for granted. There are many people in this world who work much harder than I do, so my efforts don’t deserve such praise. If we’re talking about hard work, my team works ten times—even a hundred times—harder than I do,” he says earnestly. “If you ask me whether I ever imagined MOLLY achieving what it has today, the truth is I did fantasise about it, but I never thought it would actually happen. And if you insist on calling this my success, then I can only say that I truly succeeded in meeting a boss, more precisely a team, who truly takes their work seriously.”

MOLLY is inspired by a little girl you encountered during a charity fundraiser in 2006. Have you ever encountered her again since that day? 

I never ran into her again, and luckily, she never ran into me either. Otherwise, I probably would have bothered her every single day. What would it feel like if one day she discovered that she had become an IP? Even twenty years on, I still believe that MOLLY was neither designed nor created; she was discovered.

Hong
Photo: Courtesy of Pop Mart Hong Kong
Hong
Photo: Courtesy of Pop Mart Hong Kong
Photo: Courtesy of Pop Mart Hong Kong
Photo: Courtesy of Pop Mart Hong Kong
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While MOLLY was initially created without a storyline in mind, did you create a personal narrative for her over the years?

MOLLY is different from other IP characters in that, to a certain extent, she is a reflection of the creator’s own emotions. That’s why there’s no need to force a backstory or setting onto her. Everything about her has emerged naturally. Through character design or written expression, her personality gradually reveals itself. More often, MOLLY’s interactions with her fans form a unique emotional connection between them that has shaped her character over the past 20 years, almost like a collective consciousness.

What kind of message did you hope to convey when you first created MOLLY? Has it changed or evolved over time? 

I remember when MOLLY first came into being, I was convinced that this little girl carried many of my own genetic traits. She was stubborn, eccentric, sometimes emotional and at other times full of sunshine. As time went on, she and I both grew up without even realising it. We encountered many different people, things, and all kinds of strange experiences this world has to offer. This growth isn’t just mine; I believe that even my “daughter”, MOLLY, has grown in similar ways. Today MOLLY feels more approachable, though her stubbornness runs deep and she still carries a certain inner tension. Children of her age typically have their own worries; she wants change and also wants to be accepted, just as I did when I was twenty. I looked at the world with a sense of pride and believed that I was uniquely myself.

 

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A post shared by Kenny Wong (@kennyswork2006)

You’ve created countless iterations of MOLLY over the years: a painter, a flight attendant, SPACE MOLLY the astronaut, Baby MOLLY and ROYAL MOLLY to name a few. Is there a version of MOLLY that resonates most with you and why? 

Over the years, every character has meant something different to me. But if you ask me which one holds a special place in my heart, it would have to be the Boxer. I remember when I first designed this character, it was one of the most challenging periods of my life. It felt like I was in a boxing match against life; the first round had already ended and I had no real results to show for it. I was bruised and barely able to catch my breath. Yet, I gritted my teeth and said, “Fine, let’s see how you treat me in the second round.” Deep down I wanted to surrender, but I stubbornly refused, hoping to fight until the very last round. The boxing MOLLY completely reflected the state I was in at the time. Of course, the design didn’t sell particularly well back then, but regardless, I managed to get through to the second round. (smiles)

Hong
Photo: Courtesy of Pop Mart Hong Kong

Photo: Courtesy of Pop Mart Hong Kong

MOLLY has garnered so much love from fans all across the world. I saw that you once met a baby whose mother had named her Molly as she was such a big fan of your character. Have there been any other memorable moments or reactions from the public that have left a lasting impression on you?

There are simply too many stories about MOLLY. There’s one about a child who rarely spoke, but after meeting MOLLY for the first time, began talking to their family. I’ve experienced a similar moment like this with a little girl who had been silent for a long time due to a surgery. After I brought MOLLY with me to visit her, I saw her smile for the first time in ages. There are children who draw my work every single day just to make their mothers smile. There are people who proposed with a MOLLY ring and others who went to great lengths to buy MOLLY items just to win the hearts of their special someone. There are so many stories, you could fill an entire book. But what moves me the most are the young people who have entered this field of work because of a talk I once gave, or simply because they encountered my work. It makes me realise that I have influence I never knew I had.

What was your first introduction to art toys and figurines? Did you also grow up collecting such things when you were younger?

I remember when I was still working at an advertising agency, I was influenced by the colleagues around me to fill my workspace with things I loved—anime figures, movie character figurines, and some classic childhood toys. Having them with me was incredibly important at the time; a lot of my ideas came from being surrounded by these figures. Plus, I worked long hours and didn’t spend much time with friends, so these toys became my closest companions.

I first encountered this world at an exhibition, where I met art toy pioneer, Mr Michael Lau. His work had an incredible sense of vitality and charisma. It was then that two friends and I began to think about becoming toy designers ourselves. I remember thinking to myself, “I believe I can do this too!” And that’s how our first toy creation group, Brothersfree, was born.

 

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A post shared by Kenny Wong (@kennyswork2006)

There is an ongoing trend on social media that posits “2026 is the new 2016”. What is something you miss from 2016 and would like to revive for 2026? 

2016 was the year I signed with Pop Mart, and the start of MOLLY’s wonderful journey. I really miss the energetic version of myself back then, unafraid of the endless lines of people wanting autographs during the earlier days. (laughs) I remember one year, while preparing for an art exhibition, I was painting day and night, on top of marathon signing sessions. It eventually led to tennis elbow in my right arm and I couldn’t sign at all, so in the end, I had to switch to my left hand to sign autographs. What I wish most is to revive that energetic me from back then to today, so that I can create even more exciting works for everyone.