Isabella Wei never imagined she’d one day step onto the set of Bridgerton, dressed in an ornate gown and preparing to film a scene at the masquerade ball. For a young actress from Hong Kong, it felt like stepping into a dream. “The scene of the Bridgerton masquerade ball is such an iconic one,” she recalls her pinch-me moment. “We’ve done the fittings, and you sort of get ready for it, but actually getting onto the set, and realising that you are now immersed in what you’ve been watching, was such an unbelievable experience.”

Top and shorts, all Burberry. Shoes, Roger Vivier.

Top and shorts, all Burberry. Shoes, Roger Vivier.

At just 21 years old, Isabella Wei has already travelled an incredible journey, quite literally. From local theatre productions in Hong Kong to starring in major global projects in Europe, her story is one of fearless leaps, unexpected lessons, and a deep love for her craft that has carried her through every challenge.

Growing up in Hong Kong, Wei didn’t plan on becoming an actress. She spent years as a dancer and performer with the Hong Kong Youth Arts Foundation (HKYAF), finding her creative home in their productions. It was there, in 2020, that she stepped into her very first acting role in the play #hashtag, an experience she remembers vividly.

Dress and gloves, all Selezza. Shoes, Roger Vivier.

Dress and gloves, all Selezza. Shoes, Roger Vivier.

“I was really struggling because that was my first acting role ever,” she shares. “I played a villain-type character, and I just remember being in the dressing room, crying, because I was really struggling with feeling like I was being a bad person for playing a villain […] I remember saying that I didn’t know if I could commit to the character, because I didn’t like how bad it made me feel.” 

Support came in the form of her friends, who were also choreographers for the show. “They told me: As much as it’s impacting you, you have to give it your all. Because if you don’t, you’re going to regret it. Even though it might feel like the right decision [to give up], if you don’t put your heart and leave it on the stage, you will regret it,” she recalls. Those words have stayed with her, shaping her approach to acting and teaching her an important lesson: leave everything on the stage.

That philosophy carried Wei through what would become a turning point in her life. While still a high school student in Hong Kong, she auditioned for Netflix’s 1899, a multilingual mystery-thriller that follows European immigrants aboard a steamship as they encounter a lost ship on their journey. The show, which featured an ensemble cast of international actors, became her breakout moment in 2022.

“I think the biggest risk I’ve taken was probably my first project. Still, I have yet to have something to top that,” she reflects. “[Pursuing] acting as a career path wasn’t something I’d ever dreamed of, or I guess, understood, was something that could happen. So that shift was just so unfathomable to me. What’s going to happen with school? What’s going to happen with the future? Who knows if this will then flourish into a bigger career, or will it just be a one-time thing?” But it was far from a one-time thing. Her leap of faith set her star on the rise, opening doors to opportunities she had never imagined.

Wei’s career soon gained momentum. She made her feature film debut in The Crow, landed a recurring role in Netflix’s espionage thriller Black Doves, and starred in Hong Kong director Calif Chong’s directorial debut feature film High Wire as female lead Au Go-Wing, a British-Chinese takeaway girl who embarks on the pursuit of artistic bravery and freedom when a circus travels to her small town. 

“Growing up in Hong Kong, I didn’t realise how different the British-born Chinese experience was until I really immersed myself in the script and spent time in North Yorkshire,” Wei reveals. “One of the biggest things I had to understand while filming was what it felt like to be a minority—feeling like ‘the other’ in a country because I was so used to having everyone around me look like me. It was actually a great learning experience for me.” 

“Artistic bravery, to me, means vulnerability,” she continues as she reflects on the journey of her character. “It is being willing to challenge yourself and put in the work, even when it feels uncomfortable. It’s about pushing past fear and forcing the door of vulnerability open, especially in the arts, where you’re constantly giving a part of yourself to others.”

She adds, “I’ve spent a lot of time dancing in my life, and I always thought the difference between dance and acting was that dance connected deeply with my personal self, while acting was a way to connect with an audience. Both art forms require bravery—either to dig into yourself or to reach out to strangers.”

In January 2026, Wei is set to return to the screen in Bridgerton’s highly anticipated fourth season, where she will introduce herself as Posy Li, the younger stepsister of Sophie Baek (Yerin Ha) and the daughter of Lady Araminta Gun (Katie Leung). Alongside her sister, Rosamund Li (Michelle Mao), Posy makes her debut in Mayfair society.

“I think one thing Bridgerton does really well is that they managed to focus a lot on the story of the characters without having their ethnicity or race be a main leading factor in it,” Wei shares. “It’s wonderful that I could bring elements of my culture to the role. Some characters speak their own languages in the shows, and there’s a little bit of Cantonese in Bridgerton. It’s really, really special to have moments like that, but also feel like your ethnicity is not overshadowing the character themselves, but more so feeling like anyone could play this character, and it’s so great that they were able to spotlight Asian actors and actresses as well.”

Top and shorts, all Burberry. Shoes, Roger Vivier.

Top and shorts, all Burberry. Shoes, Roger Vivier.

Wei approached Posy as more than the “simple and kind” character she was initially described as in the audition brief. “The way I understood her, she was actually quite funny, sweet and humorous, less so simple,” she explained. “I just felt like Posy was a character that was sort of misunderstood, so I really wanted to give her that spark to make her stand out. She’s such a loved character in the books, and I just wanted to make sure she was also very loved in the show.”

When asked who Posy might be if you dropped her into the modern world, Wei laughs. “Oh, that’s such a good question. I feel like she would’ve really thrived in 2016—she’d be a slime girl. Oh my god, slime tutorials, BuzzFeed DIY videos, maybe even ASMR reviews of snacks,” she continues as she chuckles. “She’d thrive in the Tumblr era. She’d be the type of girl who would go for a pumpkin spice latte, and it wouldn’t be for the pictures, she’d just really, really enjoy it.”

Photographer: Claire Rothstein
Stylist: Foxla Chiu
Makeup Artist: Francesca Brazzo @ The Wall Group
Hair Stylist: Masayoshi Fujita @ Of Substance
Manicurist: Claudine Cooke @ Premier Hair & Makeup
Photography Assistant: Karina Barberis
Fashion Assistants: YooJin Choi & Audrey Kwan
Casting: Marina Fairfax
Producer: Kaitlyn Lai
Location: Buckingham Suite at The Lanesborough, London