Take Turns by Wing Po So, Para Site
Installation view of Wing Po So: ‘Take Turns’. Para Site, Hong Kong, 2025.
Photo: Felix SC Wong
Using Chinese medicine drawers as vessels, Hong Kong artist Wing Po So explores the dynamics between nature, the body, and materiality. Salvaged, worn and rugged drawers from now-defunct traditional Chinese pharmacies in Hong Kong become sites of “transformative healing”. Now holding the artist’s works, these vessels have borne witness to a cycle of regeneration, prompting reflection on the interconnectedness of living beings, geology, and human-made objects. Yuanyun Li curated this newly commissioned exhibition.
When: until May 25, 2025
Where: 22/F, Wing Wah Industrial Bldg, 677 King’s Road, Quarry Bay
Yasumasa Morimura and Cindy Sherman: Masquerades, M+

Yasumasa Morimura. One Hundred M's Self-portraits #26, Photographed in 1993-2000. Gelatin silver print. M+ Hong Kong. Yasumasa Morimura. ©
Photo: Courtesy of the artist and Luhring Augustine, New York, and Yoshiko Isshiki Office, Tokyo
Yasumasa Morimura and Cindy Sherman are both masters in masquerade. For the first time in history, their photographic works are shown in a two-person exhibition as part of the Pao-Watari Exhibition Series in M+. The artists explore identity as a malleable construct, transforming their appearances to reimagine imagery from art history, cinema and media culture. Bringing ambiguity to familiar images, they offer acute commentary on contemporary culture and history.
When: until May 5, 2025
Where: Cissy Pui-Lai Pao and Shinichiro Watari Galleries, L2, M+, 38 Museum Dr, West Kowloon
My Artistic Journey by Chui Tze-Hung, Touch Gallery
Regarded as a pioneer of the ink art movement, Chui Tze Hung presents his first solo exhibition at Touch Gallery. Chui excels in combining the lines and splashes of calligraphy to create otherworldly paintings. Approaching 90, he continues to tirelessly create new works ranging from landscapes to abstract splashes of colour, to colourful ink calligraphy. Consolidating his learnings over the decades, including his artist residency with the U.S. International Artist Award and a Federal Fellowship in 1988, Chui paints his memories and introduces collage to his oeuvre.
When: until April 30, 2025
Where: Shop 103 & 202, 1-2/F, Block 3 Barrack Block, Tai Kwun, 10 Hollywood Rd, Central
The Seventies by Lynne Drexler, White Cube Gallery
What comes to mind when you think about the 1970s? Lynne Drexler’s paintings from this period resemble the patterning of Colour Field painters of her generation. Somewhere between landscape, still life, and abstraction, Drexler’s paintings capture her encounter with the world “as vibrating energy, rendering visuality as sensation and metamorphosis”. Classical music from the 1970s also inspired her oeuvre as it brought her new modes of perception, distilling the fleeting pitch, timbre, pace and energy of music through painting.
When: until May 17, 2025
Where: 50 Connaught Road Central, Hong Kong
Emma McIntyre: Among My Swan by Emma McIntyre, David Zwirner 
New Zealand-born and Los Angeles-based artist Emma McIntyre works with the element of chance. She paints by pouring pigments from above, followed by layers of spontaneous mark-making, creating works that are partially up to the artist and partially up to the organic proclivity of her chosen material. For Among my swan, McIntyre’s first solo exhibition in Asia, the artist presents vivid and abstract landscape paintings made with oils and unconventional substances like oxidised iron. “Painting, like a stage set, is worldbuilding in a contained space. I’ve long been interested in painting’s connection to theatre,” McIntyre says in a press release, “Theatre also relates to my interest in truth and deception in painting. Suspension of disbelief, a “higher being” as guide, painting as a kind of magic—which in turn relates to alchemy.
When: until May 10, 2025
Where: 5–6/F, H Queen’s, 80 Queen’s Road Central
Soft Landscape by Louise Bourgeois, Hauser & Wirth
Hailed as one of the most important artists of the past century, Louise Bourgeois was born in Paris in 1911 and worked in New York from 1938 until her death in 2010. During those decades of creation, the creative process was her form of catharsis. According to Hauser & Wirth, she “reconstructed memories and emotions in order to free herself from their grasp.” On March 25, works by Bourgeois will be displayed in her second solo exhibition with Hauser & Wirth in Hong Kong, including a selection of sculptures and works on paper that have never been exhibited before. Additionally, a three-meter-long fountain installation titled ‘Mamelles (fountain)’ (1991), and a steel and marble sculpture titled ‘Spider’ (2000), will be shown in Asia for the first time.
When: until June 21, 2025
Where: G/F, 8 Queen’s Road Central, Central
Yoan Capote: Mixed Feelings by Yoan Capote, Ben Brown Fine Arts

Yoan Capote, Aguas Territoriales (Impedimento), 2025, Saw blades, oil, plaster on jute mounted on wooden panels, 100 x 150 cm. (39 3/8 x 59 in.)
Photo: Copyright The Artist
Cuban artist Yoan Capote intertwines the Cuban landscape with the country’s turbulent socio-political history in his evocative new works. The exhibition explores dualities of “love and disillusionment, belonging and estrangement, hope and despair”. Capote’s meditations on living on the threshold of self-governance possess a universal resonance as tensions of contested identities and political uncertainty grow evermore serious in the world today.
When: until June 31, 2025
Where: 201, The Factory, 1 Yip Fat St, Wong Chuk Hang
Lee Mingwei: Guernica in Sand by Lee Mingwei, M+
Lee Mingwei, Lee Mingwei: Guernica in Sand , 2025
Photo: Dan Leung, Courtesy of M+, Hong Kong
Internationally recognised artist Lee Mingwei brings Guernica in Sand to Hong Kong, a massive recreation of Pablo Picasso’s iconic Cubist work Guernica (1937) using sand as the material. Sand paintings often embody impermanence and change, Lee uses this unexpected material to echo the painting’s theme of violence and tragedy brought by the Spanish Civil War which Picasso experienced. On June 28, towards the end of the display, Lee will stage a live performance where he and other performers will complete the final part of the work while visitors walk on the sand. The performers will then sweep away the sand once the visitors have blurred the image completely. “Through the participatory act of walking on and sweeping away the sand painting, I hope to create a shared experience that transforms our understanding of loss and renewal, revealing how transformation can emerge from the ruins of history,” Lee says.
When: until July 13, 2025
Where: West Gallery, M+, 38 Museum Dr, West Kowloon
Lining Revealed – A Journey Through Folk Wisdom and Contemporary Vision Group Exhibition, CHAT

Aziza Shadenova, Dastarkhan (Her Skirt) , 2024 Quilted fabric, cotton and wallpaper
Photo: @aziza_shaden via Instagram
Curator Wang Weiwei brings together 13 artists from around Asia for an immensely rich exhibition on folk wisdom and its ties to contemporary art. The exhibition starts with Indonesian artist Ari Bayuaji’s colourful oceanic weaves in the Mill’s main hall, followed by artist Young In Hong’s new “community” of 5 animals on the second floor. Then, visitors lace through strawwork, beadwork, and embroidery, as well as patchwork quilts of nomadic tribes to silkscreen prints of agrarian island communities. The last stop showcases the works of artist Elle Yiu who employs humour in her artworks to face the heaviness of illness, healing, and identity.
When: until July 13, 2025
Where: 2/F, The Mills 45 Pak Tin Par Street, Tsuen Wan
Editor
Karrie LamCredit
Lead Image: Karrie Lam










